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“Oh, there are some things that are so hard, Mother.”,

“Oh! I am really sorry for Aunt Grenertsen,” said Mother. “I must see if I can’t find something good to send her to make up for this. It was not at all nice of you, John—not at all kind. Poor Aunt Grenertsen who is so lonely and has so little of everything!”,

"Sister," said the eldest one, "an idea has occurred to me: let us try to keep her here over the week. Her stupid old Beast will be enraged at her breaking her word, and perhaps he will devour her." "You are right, sister," replied the other; "to carry out our plan, we must appear very loving and kind to her." And having settled this, they went back to the house and were so affectionate to her, that Beauty cried for joy. When the week drew to a close, the two sisters showed such signs of grief at her departure, and made such lamentation, that she promised to stay till the end of the second one. Beauty, however, reproached herself for the sorrow she would cause her poor Beast, whom she loved with all her heart; and she began to miss him very much. On the tenth night of her absence, she dreamed that she was in the garden of the castle, and that she saw the Beast lying on the grass, apparently dying, and that he reproached her with her ingratitude. Beauty awoke with a start, and wept. "I am indeed wicked," she said, "to behave so ungratefully to a Beast who has been so considerate and kind to me! Is it his fault that he is ugly and that he is not clever? He is good, and that is worth everything else. Why did I refuse to marry him? I should be happier with him than my sisters are with their husbands. It is neither beauty nor wit in a husband which makes a wife happy; it is amiability of character, uprightness and generosity: and the Beast has all these good qualities. I do not love him, but I respect him, and I feel both affection for him, and gratitude. I will not make him unhappy; should I do so, I should reproach myself for it as long as I live.",

“Well, well! Is it you?”

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Ferdinand listened to this narrative in silent horror. He remembered the temerity with which he had dared to penetrate those apartments—the light, and figure he had seen—and, above all, his situation in the stair-case of the tower. Every nerve thrilled at the recollection; and the terrors of remembrance almost equalled those of reality.,

“I send ’em back. Watch Mexican house. Mebbeso white men need help. All can do was scare Mexican. No got guns ’nough make fight.”,

Beauty, the youngest, was more polite, and thanked those who asked for her hand, but she was, as she told them, too young as yet, and wished to remain for a few more years as a companion to her father.,

Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers.